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Why You Should Go To The Movies (And Do Other Stuff) Alone
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Vast Chamber Of Molten Rock Discovered Under Yellowstone 'Supervolcano'
The giant "supervolcano" that lies beneath Yellowstone National Park is hiding a deep secret: a massive chamber containing enough hot, partly molten rock to fill the Grand Canyon more than 11 times over.The newfound chamber (see below) sits 12 to 28 miles beneath the supervolcano and is four times bigger than a shallower chamber above it that scientists already knew about. "For the first time, we have imaged the continuous volcanic plumbing system under Yellowstone," Dr. Hsin-Hua Huang, a postdoctoral researcher in geology and geophysics at the University of Utah and a member of the team of seismologists who discovered the vast chamber, said in a written statement. "That includes the upper crustal magma chamber we have seen previously plus a lower crustal magma reservoir that has never been imaged before and that connects the upper chamber to the Yellowstone hotspot plume below." This cross-section illustration cutting southwest-northeast under Yellowstone depicts the newfound, blob-shaped magma chamber under the Yellowstone supervolcano. Rare eruptions. Is all of this magma something to worry about? The researchers said in the statement that the discovery doesn't mean pockets of magma are growing larger -- or that the supervolcano is about to erupt. The chance of a supervolcano eruption happening in any given year is 1 in 700,000, and the last major eruption was 640,000 years ago. But the discovery gives scientists a better understanding of Yellowstone's complex subsurface "plumbing" system that carries hot and partly molten rock upward. The upper magma chamber powers Yellowstone National Park's geysers and was responsible for three ancient volcanic eruptions that coated much of North America in ash, the Associated Press reported. "Every additional thing we learn about the Yellowstone volcanic system is one more piece in the puzzle, and that gets us closer to really understanding how the volcanic system works," Dr. Fan-Chi Lin, an assistant professor of geology and geophysics at the university and another member of the research team, told Smithsonian. "If we could better understand the transport properties of magmatic fluids, we could get a better understanding of the timing and, therefore, where we are in the volcanic cycle." Earthquake data. The researchers used instruments called seismometers to measure the seismic waves generated by earthquakes in order to determine the type of rocky material deep beneath Yellowstone. The researchers examined data from quakes in Utah, Idaho, the Teton Range, and Yellowstone itself as well as data from distant temblors. Science magazine reported that 11 seismometers were used to analyze the more distant and deep quakes, while 69 seismometers were used to gather data from more local and shallower quakes. "To be able to image lower crustal structure, we needed to combine a huge amount of observations from both distant earthquakes and local earthquakes," Dr. Jamie Farrell, a postdoctoral researcher at the university and another member of the team, told Live Science. "Our study opens up many new directions and future opportunities in volcano research... For example, it will be interesting to see if the existence of the lower crustal magma reservoir is a common feature for all the volcanic systems around the globe." The study was published online in the journal Science on April 23, 2015. |
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Countries Step Up Nepal Earthquake Aid Efforts Despite Travel Issues

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China Now Has More Vineyard Land Than France

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Bali Nine Face Execution Within Hours After Hopes For Reprieve Dashed
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Here Are All The 2015 Tony Award Nominations

The 2015 Tony Nominations are here, thanks to announcers Bruce Willis and Mary-Louise Parker, who woke up before 8:30 a.m. on a Tuesday morning to read off this season's theater honorees.The list of plays, musicals, actors, directors, designers and composers in the running for a shiny Tony award this year run the gamut of expected -- the critically acclaimed musical "Fun Home" and the Shakespeare favorite "Wolf Hall" both received nods, to the ever so slightly less expected -- "This Is Our Youth" nabbed a nomination while its very youthful star Tavi Gevinson was left out. The musical version of "An American in Paris" and "Fun Home" managed to rack up the most mentions with 12 nominations each. Hollywood stars showed up in more than a few categories; Helen Mirren, Carrey Mulligan, Elisabeth Moss, and Ken Watanabe among them. Willis will be heading to the stage in an adaption of Stephen King's "Misery," hence his presence today. Parker won a Tony back in 2001 for her performance in the play "Proof." The 2015 Tony Awards is set to air on CBS on Sunday, June 7, at 8 p.m. ET. Past winners Kristin Chenoweth and Alan Cumming will replace perennial master of ceremonies Neil Patrick Harris as hosts. Leading Actor in a Play: Steven Boyer, "Hand to God" Bradley Cooper, "Elephant Man" Ben Miles, "Wolf Hall" Bill Nighy, "Skylight" Alexander Sharp, "The Curious Incident of the Dog in the Night-Time" Leading Actress in a Play: Geneva Carr, "Hand to God" Helen Mirren, "The Audience" Elisabeth Moss, "The Heidi Chronicles" Carey Mulligan, "Skylight" Ruth Wilson, "Constellations" Leading Actor in a Musical: Michael Cerveris, "Fun Home" Robbie Fairchild, "An American in Paris" Brian d'Arcy James, "Something Rotten!" Ken Watanabe, "The Kind and I" Tony Yazbeck, "On the Town" Leading Actress in a Musical: Kristin Chenoweth, "On the Twentieth Century" Leanne Michelle Cope, "An American in Paris" Beth Malone, "Fun Home" Kelli O'Hara, "The King and I" Chita Rivera, "The Visit" Best Revival of a Play: "Elephant Man" "Skylight" "This is our Youth" "You Can't Take It With You" Best Revival of a Musical: "The King and I" "On the Town" "On the Twentieth Century" Best Play: "The Curious Incident of the Dog in the Night-Time" by Simon Stephens "Disgraced" by Ayad Akhtar "Hand to God" by Robert Askins "Wolf Fall" by Hilary Mantel and Mike Poulton Best Musical: "An American in Paris" "Fun Home" "Something Rotten!" "The Visit" Best Director of a Play: Stephen Daldry, "Skylight" Marianne Elliott, "The Curious Incident of the Dog in the Night-Time" Scott Ellis, "You Can't Take It With You" Jeremy Herrin, "Wolf Hall" Moritz von Stuelpnagel, "Hand to God" Best Director of a Musical: Sam Gold, "Fun Home" Casey Nicholaw, "Something Rotten!" John Rando, "On the Town" Bartlett Sher, "The King and I" Christopher Wheeldon, "An American in Paris" Best Book of a Musical: Karey Kirkpatrick and John O'Farrell, "Something Rotten!" Lisa Kron, "Fun Home" Craig Lucas, "An American in Paris" Terrence McNally, "The Visit" Best Score: John Kander and Fred Ebb, "The Visit" Wayne Kirkpatrick and Karey Kirkpatrick, "Something Rotten!" Sting, "The Last Ship" Jeanine Tesori and Lisa Kron, "Fun Home" Best Featured Actor in a Play: Matthew Beard, "Skylight" K. Todd Freeman, "Airline Highway" Richard McCabe, "The Audience" Alessandro Nivola, "The Elephant Man" Nathaniel Parker, "Wolf Hall" Micah Stock, "It's Only a Play" Best Featured Actress in a Play: Annaleigh Ashford, "You Can't Take It With You" Patricia Clarkson, "The Elephant Man" Lydia Leonard, "Wolf Hall" Sarah Stiles, "Hand to God" Julie White, "Airline Highway" Best Featured Actor in a Musical: Christian Borle, "Something Rotten!" Andy Karl, "On the Twentieth Century" Brad Oscar, "Something Rotten!" Brandon Uranowitz, "An American in Paris" Max von Essen, "An American in Paris" Best Featured Actress in a Musical: Victoria Clark, "Gigi" Judy Kuhn, "Fun Home" Sydney Lucas, "Fun Home" Ruthie Ann Miles, "The King and I" Emily Skeggs, "Fun Home" Best Scenic Design of a Play: Bunny Christie and Finn Ross, "The Curious Incident of the Dog in the Night-Time" Bob Crowley, "Skylight" Christopher Oram, "Wolf Hall" David Rockwell, "You Can't Take It With You" Best Scenic Design of a Musical: Bob Crowley and 59 Productions, "An American in Paris" David Rockwell, "On the Twentieth Century" Michael Yeargan, "The King and I" David Zinn, "Fun Home" Best Costume Design of a Play: Bob Crowley, "The Audience" Jane Greenwood, "You Can't Take It With You" Christopher Oram, "Wolf Hall" David Zinn, "Airline Highway" Best Costume Design of a Musical: Gregg Barnes, "Something Rotten!" Bob Crowley, "An American in Paris" William Ivey Long, "On the Twentieth Century" Catherine Zuber, "The King and I" Best Choreography: Joshua Bergasse, "On the Town" Christopher Gattelli, "The King and I" Scott Graham and Steven Hoggett, "The Curious Incident of the Dog in the Night-Time" Casey Nicholaw, "Something Rotten!" Christopher Wheeldon, "An American in Paris" Best Lighting Design of a Play: Paule Constable, "The Curious Incident of the Dog in the Night-Time" Paule Constable and David Plater, "Wolf Hall" Natasha Katz, "Skylight" Japhy Weideman, "Airline Highway" Best Lighting Design of a Musical: Donald Holder, "The King and I" Natasha Katz, "An American in Paris" Ben Stanton, "Fun Home" Japhy Weideman, "The Visit" Best Orchestrations: Christopher Austin, Don Sebesky and Bill Elliott, "An American in Paris" John Clancy, "Fun Home" Larry Hochman, "Something Rotten!" Rob Mathes, "The Last Ship" |
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Jon Stewart Compares CNN's Lack Of Baltimore Coverage To 'Masturbating In The Street'
As demonstrators took to the streets of Baltimore to protest police brutality on Saturday night, CNN largely stuck with its coverage of the White House Correspondents' Dinner. As Jon Stewart pointed out on Monday night's "Daily Show," it got pretty awkward. During a discussion of the celebrity red carpet arrivals, one CNN host noted that many people on social media were asking for coverage of the unrest. "This is what people want to hear about, this is what people are talking about," one host said. "Yeah, it's important," another host agreed, but then quickly added: "I do want to get to the red carpet." That led Stewart to make a memorable analogy. "It's one thing to say, 'Oh, that's terrible. We should be doing that,' and then go do it," Stewart said. "But to say it's terrible, we should do it, and not do it, it's sort of like standing in the middle of the street going, 'Oh, people are saying I shouldn't be masturbating in the street, but ... you know ... my balls aren't going to release themselves." Stewart even played a clip of one of the network's commentators suggesting people could find the latest information on Baltimore elsewhere. After mimicking a head explosion, Stewart responded: "To be clear, a guy on CNN just said 'Hey, if people are looking for news, I'm sure they can find it somewhere.' It would be like Google going 'What's your question? I don't know, just look it up yourself, I'm busy.'" See his full takedown of CNN in the clip above. |
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Charity, Solidarity Arise In South Africa After Anti-Foreigner Attacks
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Everglades Under Attack
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Healthy Living - 5 Ways to Leave a Great Legacy
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Healthy Living - Nepal Earthquake Happened Right On Schedule, Scientists Say
A devastating 7.8-magnitude earthquake in Nepal on Saturday was part of a pattern of major temblors that have become so predictable that many seismologists had been expecting this one -- and at least one team of researchers warned just weeks ago that a major quake was due in the exact location where this one struck. Nepal sits right where the Indo-Australian Plate is pushing itself beneath the Eurasian Plate, a collision that gave rise to the Himalayan Mountains. As the plates push, pressure builds, eventually resulting in a quake to relieve that pressure. And according to Nature, the Indo-Australian Plate is still pushing itself under the Eurasian Plate at a rate of nearly 2 inches per year. "Geologically speaking, that's very fast," Lung S. Chan, a geophysicist at the University of Hong Kong, told the Wall Street Journal. "Earthquakes dissipate energy, like lifting the lid off a pot of boiling water... But it builds back up after you put the lid back on." That immense and constant pressure has led to an unusually regular pattern of major quakes, making it "one of the most seismically hazardous regions on Earth," according to the U.S. Geological Survey. Major earthquakes in the region are so regular that they occur roughly every 75-80 years. With the last one hitting just east of Kathmandu 81 years ago in 1934, most seismologists believed the area was due for another. "We knew it was going to happen. We saw it in '34," USGS geologist Susan Hough told the Washington Post. "The earthquakes we expect to happen do happen." One team of researchers not only expected this earthquake to happen, but even pinpointed the location. Laurent Bollinger of the CEA research agency in France told the BBC that his team had been digging trenches along the fault. Using carbon dating on charcoal samples found in the trenches, they discovered one segment that hadn't moved in nearly 700 years. The last time it did was in 1344, and it came 89 years after a segment of the fault east of Kathmandu moved -- the same segment of the fault that moved 81 years ago in 1934. As it's common for strain to transfer from one part of a fault to another, Bollinger's team warned at a Nepal Geological Society meeting in early April that the same pattern could occur again. And now that it has, Bollinger is warning that Saturday's quake may not have been enough to relieve all the pressure. "Early calculations suggest that Saturday's magnitude-7.8 earthquake is probably not big enough to rupture all the way to the surface, so there is still likely to be more strain stored, and we should probably expect another big earthquake to the west and south of this one in the coming decades," Bollinger told the BBC. -- This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website. |
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